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Women --- Christianity --- Religion --- Philosophy & Religion --- Woman (Christian theology) --- Religious life --- Religious aspects
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Christian leadership. --- Women --- Woman (Christian theology) --- Church leadership --- Lay leadership --- Church work --- Leadership --- Religious aspects --- Christianity.
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Roman love-poet Ovid, best known for the epic Metamorphoses, offers in his Fasti the self-proclaimed goal of exploring and explicating the Roman calendar. Published in his maturity circa 14 CE, the Fasti presents claims of aetiological, astronomical, and even antiquarian interests, but more importantly the poem highlights an extraordinary prominence of female characters at work, play, and worship in its verses. From flirtatious goddesses to talkative old women, beautiful puellae to stern prophetesses and beyond, Ovid's “calendar girls” appear in a vast and kaleidoscopic array of guises and narratives, importing and transforming literary genre and expectation alike in a poem that already in shape and purpose is unique in Latin literature. The poet's long-standing fascination with female figures that had first appeared in his earliest work and then accompanied him throughout his career now resurfaces in a much more complex form. Of interest to literary scholars, antiquarians, and those studying the social and political roles of ancient women, Ovid's Women of the Year offers an intriguing view of an Ovidian poem now coming into its own.
Women in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Ovid, --- E-books
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Hazewindus, M.W. When Women Interfere. Studies in the Role of Women in Herodotus' Histories. 2004 In his Histories, Herodotus presents several short stories that seem at odds with the main story and that are therefore sometimes dismissed as mere anecdotes. In this book, Dr. Hazewindus analyzes five of such short stories in order to establish their function in the work as a whole. In these short stories women play important roles. The author shows that these roles exhibit a pattern: women unexpectedly change from passive, silent characters into active, leading people who at times take a bloody revenge when they feel wronged. Women here turn the wheel of history. When the main story is resumed, they disappear again into the background. Nevertheless, the women stories give a unique colour to the Histories, and a proper understanding of them enriches our interpretation of Herodotus’ work.
Women in literature. --- Herodotus. --- Women in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Herodotus --- History.
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Surrealism (Literature) --- Women in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Surrealism in literature --- Literature
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Women in literature. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Sandoz, Mari, --- Criticism and interpretation.
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&p&"She is a godly woman." "True love waits." Are these phrases and many others about gender truly based in scripture, or based on dusty, outdated stereotypes? And how do these perceptions repress people, especially women, from fully expressing their faith? &/p&&p&&/p&&p&&i&If Eve Only Knew: Freeing Yourself from Biblical Womanhood and Becoming All God Means for You to Be &/i& offers a fresh perspective on gender and the Bible, destroying trumped-up, captive-creating messages with the freeing proclamation grounded in Jesus' ministry and found everywhere in scripture: t
Feminist theology. --- Feminism --- Women --- Sex role --- Religious aspects --- Christianity. --- Theology, Feminist --- Theology, Doctrinal --- Woman (Christian theology) --- Christian feminism
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Witches in literature. --- Women in literature. --- Feminist criticism. --- Criticism --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry
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This book argues that the problem of gender identity is vital to the large corpus of medieval Hispanic texts that discuss the nature of women. What is a woman? This book questions the persistent assumption that the large corpus of medieval Hispanic texts that discuss the nature of women can be defined in terms of the clichéd discourses of misogynism and defence of women,arguing instead that the problem of gender identity is vital to them all. The texts, some well-known, others which have received scant critical attention, are each discussed in their specific contexts and in relation to theostensible reasons for their composition, such as a political, literary, religious, or didactic 'agenda'. They are also related to the literary traditions in which they are written [misogynistic denunciation, satire, humour, defence, narrative debate, among others], and the particular theoretical problems arising from them are discussed. But it is also argued that the full meaning of the texts lies at the less immediately accessible level at which they address this very problem of definition, one which arises directly from the self-perpetuating contradictions of authoritative wisdom on the nature of women. ROBERT ARCHER holds the Cervantes Chair of Spanish, King's College London.
Spanish literature --- Women in literature. --- History and criticism. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry
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